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Inspired by the incredible craftsmanship and design of the Golden Age, The Loar LH-200 is an acoustic guitar with a classic pre-war body style, outstanding features, and a strong, full tone. From the vintage sunburst finish to the open gear butterbean tuners, The Loar LH-200 is modeled after small-bodied flat top acoustic guitars from the 1930’s. The guitar features a solid spruce top, mahogany back and sides, a mahogany neck, ivory-colored body binding and a rosewood fretboard. This model also features a bound peghead with a delicate fern inlay in abalone and M.O.P. by veteran designer Greg Rich. Following early 20th century bracing patterns, the LH-200 has an incredibly lightweight body that delivers outstanding projection. The LH-200’s smaller body size is great for songwriters and touring musicians who want a great sounding acoustic guitar to take to the stage. The guitar’s beautiful looks and vintage features are appealing for all playing styles. The Loar LH-200 Blues Box style guitar from the 20's and 30's.
The Loar LH-200-FE3-SN Guitar Features:
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Top: Solid Spruce
- Fishman Sonitone Pickup EQ System
- Back & Sides Mahogany
- Neck: Mahogan
- Fretboard: Padauk
- Headstock Inlay: Abalone/M.O.P.
- Finish Type: Sunburst Gloss Finish
- Options: Vintage Sunburst
- Tuning Machines: Grover Butterbean
- Open Scale Length: 25.5"
- Truss Rod: Fully Adjustable
- Frets: 19
- Binding: Ivoroid
- Bridge: Rosewood
- Upper Bout: 10.75"
- Lower Bout: 14.75"
- Nut,Width: Bone, 1-11/16"
- Depth: 4.25"
- Body Length: 20.25"
- Total Length: 41.25"
- Lifetime Warranty
Acoustic Guitar Forum, Guitar of the Year!
Beginning last year, I started a tradition of honoring a special guitar
with the "Founder's Choice Award", selecting the acoustic guitar that stood out
to me the most. This year's winner was a bit of a surprise for me. I was
introduced to the Music
Link's line of guitars at the NAMM shows the past few years, but it wasn't
until the ACI Show (LA-Based
Acoustic Instrument Show) that I got to sit down with these guitars in a quiet
setting. The Music Link owns several brands of good quality musical instruments,
and in the case of their Recording King and The Loar series, they have created some easy-to-play, good
sounding instruments that are well-built and reliable - at a price point that
makes it tempting to own several different models from their line-up.
Inspired by classic American designs from yesteryear, The Loar and the
Recording King instruments are updated with modern hardware and construction
techniques for playability and tone. I selected the LH-200 from their range
of acoustics, and proceeded to fall in love with this little gem. Its small body
is so comfortable for me to play, even for extended periods. The setup was
surprisingly good from the factory and I haven't yet been inclined to take the
guitar to my tech for a setup. Sound and projection are very good from this
little box, and suit a variety of situations. The midrange is most dominant
allowing you to dig in to your playing to get a range of goodness from warmth to
sparkle and nice treble spank. The LH-200 is equally at home in a jam session,
recording session, practice, or just quiet playing while watching the sunset.
I'm not too worried about playwear on this acoustic thanks to its relatively low
price tag. And if a friend stepped in it, I'd just get another one. For this
reason, the guitar is usually accessible and finds itself sitting in corners and
chairs all over the house, just begging to be played. And it gets played. A
lot.
The LH-200 uses a smaller "pre-war" body style that is comfortable
for long playing sessions. Back and sides are Mahogany - probably laminated -
and the top is solid spruce. Ivoroid/black binding all the way around, and
lovely MOP headstock inlay designed by Greg Rich. Standard scale at 25.5" and 14
frets clear of the body. No cutaway, no pickup included, and mine came sans
pickguard. Bone nut and Grover open tuners that work. Only 4.25"
deep.
The LH-200 is a simple, well-designed, great-sounding little guitar
that becomes your best friend while your fine handbuilt guitars are all happily
humidifying in their cases. Without a doubt, the LH-200 has been the most-played
acoustic guitar at my house in 2010.
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